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Smokestack Lightnin' Home Page -- The Blues Profile Page
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The solid blues players in Cool Disposition turn
Neumann's Bar into a crowded, smokey, hip, and the best pure fun juke
joint in the state every 2nd Friday when they play. The band is nearly
as crowded on the tiny stage as the crowd is in the bar when they hit
the ground running hard on harp player Harold Tremblay's dynamite harp
instrumental, "Hurricane Howard." It has him playing powerful, rich
chromatic harp, getting down low and powerful as his harp riffs tear
through the room. All the while Dan Schwalbe plays fast, precise, and
expressively behind him. Harold topped things off with some short, hard,
percussive harp riffs ala James Cotton and a powerful, smooth, long held
note at the end, bending at the waist as he blows. Greg Beach on bass
and Marty Bryduck on drums lay down some strong, throbbing bass and some
great touch-drumming respectively to wrap up a great instrumental sound. All night the band lives up to their name, as on "Hip Shake." Mickey's strong, hip, passionate vocals drive this boogie woogie classic, singing fast and clear as the tiny dance floor is crowded with happy, sweaty dancers whose elbows occasionally collide with each other and go right over the edge of the stage. Harold's short, expressive harp riffs and Schwalbe's strong, fast picking blend nicely for a rich instrumental sound to serve as a solid foundation for Mickey's rocking vocals. The crowd screamed and cheered their approval. These guys have only been together a few years, but lots of practice and steady gigging has them jelling into a solid local band. They mix solid, less often heard covers like the fast rolling blues of Howling Wolf's "When You Squeeze Me Baby" with strong originals like "The Joy Ride." On the former Harold puts in exclamation point on the song with a big harp flourish at the end. On the latter Mickey's full rich vocals and clever lyrics about small town boredom and the search for excitement make for some great music. Harold's short, expressive harp riffs spice things up, while Schwalbe positively rocks, swaying back and forth, bobbing his head as he strums fast and rips off some great high-pitched riffs, to the crowds delight. Mickey's strong, clear vocals cap things off. This great, mid-tempo rocking blues number will be featured on their soon to be released CD, Romping at the Rib Shack (tentatively May 24th, Cold Wind Records). Blues sounds best in a small, crowded space where the sweaty, happy dancers can interact and react up close and personal to the cool, swinging blues ringing out from the stage. Cool Disposition seem to be a perfect match for this every month, drawing a full house that loves to have a few libations, drop the stress from the week, and just have a good time. When you're dancing up close by the stage, you can see Harold sweating and straining over his chromatic harp, Schwalbe doing those incredible licks from three feet away, and Mickey's big vocals and tilted mike stand literally swinging out into the crowd. You want to watch out for the neck of Greg's bass when you're on that side of the stage. For a good blues time, be sure to slide on up to Neumann's for Cool Disposition. You won't be disappointed. Just bring your dancing shoes and be ready to hit the dance floor.
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