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Born in Duncan, Mississippi in 1939, guitarist Eddie C. Campbell was raised in Chicago, where he played with nearly every seminal figure who defined Chicago's West Side sound -- his friend Magic Sam, Muddy Waters, Howlin' Wolf, Willie Dixon, and Little Walter, among others. Although Campbell's music is strongly reminiscent of that classic West Side blues sound, he would prefer to call it "black culture" music.

His parents, sharecroppers, moved to the Windy City when Eddie C. was six years old. His mother helped him buy his first guitar at age eight. She would take him to the 1125 Club on Madison Street, where he met the legendary Muddy Waters, who told Eddie C. he could sit in if he learned to play. After relentless study, Eddie C. learned "Still A Fool", and Muddy allowed him to sit in with the band. Eddie C. Campbell was twelve years old!

In the mid-50's, when Eddie C. was still in his teens, he was jamming around on the blues scene with Luther Allison and Willie James Lyons, Big Monroe, drummer Willie Buckner, and harp player Pee Wee Madison.

The versatile performer was one of the most flamboyant and popular musicians on the West Side scene, riding around on a purple motorcycle, sporting a red Jazzmaster guitar, learning karate and winning sixteen knockouts as an amateur boxer. By the late 50's, Campbell's band was backing up Percy Mayfield, Lowell Fulson, Tyrone Davis, and Little Johnny Taylor, and Eddie C. was performing with Little Walter, Muddy Waters, Howlin' Wolf, Otis Rush, and Mighty Joe Young. It was also during this period that he became close friends and running buddies with Magic Sam, who lived two doors down and was to prove influential on Campbell's music.

In 1963 Eddie C. became the band director for Jimmy Reed, a gig he held periodically until Reed's death in 1976. Shortly thereafter, Campbell began to work with Koko Taylor, who recommended him to Willie Dixon. Eddie C. played in Willie Dixon's Chicago Blues All-Stars for the next four years.

In 1977, while with Dixon's band, he recorded King of the Jungle, which was released on the Mr. Blues label and reissued on Rooster Blues in 1985. In 1979 he toured Europe for the first time with the American Blues Legends Tour. He moved to Europe in 1984, working at first in England, then moving to Holland, and finally to Germany. While he was in Amsterdam, Eddie C. recorded an album entitled Let's Pick It! for the Black Magic label (reissued on Evidence in 1993). While in Europe he also toured in a German stage adaptation of William Faulkner'sRequiem For A Nun.

Campbell returned to Chicago in December 1992 so that his son could be born in the United States. He soon resumed work on his latest album, That's When I Know, released on Blind Pig in October 1994. As Dick Shurman says in the liner notes, "His life in England, Holland, and Germany brought some peace with himself and deepened his sense of self as a bluesman and as the product and expression of Black culture. His chops and creativity were fueled by a greater sense of context and renewed personal stability." Eddie C. completed the album, which is composed entirely of sparkling originals.

Campbell specializes in jaunty, irresistibly danceable rhythms overlaid with lithe guitar lines, often placed so tightly in the pocket of the beat that his lead guitar almost doubles as a rhythm instrument. Add his unique songwriting abilities and compelling vocals, and you've got That's When I Know, a top-notch blues album that gives notice that Eddie C. Campbell is "an American resource to treasure."